Showing posts with label Aesthetics. Show all posts
Showing posts with label Aesthetics. Show all posts

Beauty out of the Ashes

Aaron Douglas. Cover Illustration for Fire!!  Devoted to Younger Negro Artists, ed. Wallace Thurman. New York, 1926..

March 1, 2023.

Professors Ronald D. Patkus, Eve Dunbar, and Caroline Culp discuss their current exhibition in the Thompson Memorial Library, Beauty out of the Ashes: Printed Works of the Harlem Renaissance, 1923-1936, on view through June 15, 2023.

A key focus of the exhibition is the literary production of the Harlem Renaissance. Works of thirteen different authors are presented. Together they provide a window into some of the key aspects of authorship during the Harlem Renaissance. At the same time, it’s also important to note that the exhibition considers not only texts, but also art, since the first editions of these works often included artwork on the dust jackets or within the book itself. By studying not just texts but also physical books, we gain a sense of the visual nature of published works, and thus a wider understanding for how works of the Harlem Renaissance were presented to their reading audience.


 



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Wendy Graham

Simeone Solomon, Sappho and Erinna in a Garden at Mytilene, 1864 Watercolour on paper, Tate Britain
February 19, 2020.

Wendy Graham, Professor of English and Chair of  the Department of English at Vassar College, talks about her latest monograph, Critics, Coteries, and Pre-Raphaelite Celebrity (Columbia University Press, 2017.)

Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. Graham threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them.


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Olga Bush


January 30, 2019.

Olga Bush, Visiting Associate Professor of Art History at Bard College, discusses her book: Reframing the Alhambra: Architecture, Poetry, Textiles, and Court Ceremonial (Edinburgh University Press, 2018). The book was a finalist for the College Art Association's 2019 Charles Rufus Morey Book Award, which "honors an especially distinguished book in the history of art, published in the English language."

"The Nasrid builders of the Alhambra – the best-preserved medieval Muslim palatial city – were so exacting that some of their work could not be fully explained until the invention of fractal geometry. Their design principles have been obscured, however, by the loss of all archival material. This book resolves that impasse by investigating the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials. This reframing enables the reconstruction of the underlying, integrated aesthetic, focusing on the harmonious interrelationship between diverse artistic media – architecture, poetry and textiles – in the experience of the beholder, resulting in a new understanding of the Alhambra."

Mary-Kay Lombino

February 7, 2017.

Mary-Kay Lombino, Emily Hargroves Fisher 1957 and Richard B. Fisher Curator of Collections at the Frances Lehman Loeb Art Center, discusses the exhibition on view January 29 - April 15, 2018: "People Are Beautiful, Photographs, Prints, and Films by Andy Warhol."

People are Beautiful explores shifting notions of beauty in Warhol’s portraits, with a focus on such themes as Celebrity and Stardom; The Artist–Patron Relationship; Fashion, Models, and the Party Scene; and The “Most Beautiful” Screen Tests. The Frances Lehman Loeb Art Center is part of a consortium of five academic museums in the Hudson Valley each hosting thematic exhibitions of Warhol’s art in 2018. The group of exhibitions, collectively titled Warhol x 5, will feature works lent from the collections of the participating institutions.



Jennifer Church


December 2, 2015.


Jennifer Church, Professor of Philosophy at Vassar, talks about perception, imagination, and her book Possibilities of Perception, published in 2013 by Oxford University Press.

"Possibilities of Perception is a stimulating, wide-ranging treatment of perception in its many guises that should be of interest to a commensurately wide audience." --The Review of Metaphysics  

45:10 minutes.

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