December 14, 2022.
October 5, 2022.
Sixty-five years later, a renowned historian, Susannah returns to her hometown in a final attempt to understand the world-famous walkout led by the communists. Will she discover some clue, some piece of information that will put her mind at rest? What role did her own family play in the tragic events? And if she finds the truth, will anyone want to hear her story?
Based on the history of the 1929 textile strike in Gastonia, North Carolina, this work of fiction explores the way historical conflict can impact individual lives. By reviving events almost forgotten, Susannah's quest also reaffirms the importance of passing on stories from one generation to the next.
May 11, 2022.
Rhinebeck artist Franc Palaia talks about his catalogue raisonné : Wall Works: Frescoes, Photo-Sculpture and Mixed Media 1973-2021. The discussion will help to introduce a restrospective exhibit that will be on view of Palaia's "Large scale frescoes and photo-sculptures installed to simulate a contemporary archeological site"at the Hudson Beach Glass Gallery on view May 14 - June 5, 2022 in Beacon, New York.
"I have been photographing walls, murals, signs, graffiti, street art, architecture and billboards since 1976. In my travels of 26 countries, I have compiled thousands of urban wall images that I use as reference for my wall works. I am a multi-disciplinary artist and work in photography, painting, sculpture and murals where I incorporate all four mediums into mixed media flat wall pieces and 3-dimensional floor sculptures. I have a saying: `walls are drop cloths of a society', whatever you seen on a city's walls gives you a sense of what is happening in that particular city or country. They signal the current state of their economy, politics and social condition." -- from Franc Palaia, "Artist Statement."
copies of the catalog are obtainable by emailing Franc Palaia at email@example.com
In 1914, literary naturalist and Hudson Valley resident John Burroughs wrote, “In the snow-storm: we are admitted into Nature’s oldest laboratory.” This laboratory is part of the cryosphere, the term given to places on Earth where water is in solid, rather than liquid, form. Describing the fleeting and varied forms of the cryosphere—ice and snow in particular—is a challenge shared by artists and scientists alike. This Focus Gallery exhibition applies the approach and knowledge of an earth scientist to art that focuses on the cryosphere, with the aim of enhancing viewers’ understanding of not only the works themselves, but also the planet we inhabit. It features paintings, prints, photographs and sculpture from the nineteenth century to the present day, including works by Sanford Robinson Gifford, Taguchi Beisaku, Doris Lee, and Oshutsiak Pudlat. This exhibition is co-organized by the Loeb and Jill Schniederman, professor of Earth Science.
The images in this book are traces of a world that exists even today and continues to provide a baseline means of self-sufficiency for tens of millions of people. Yet how we express ourselves is being transformed by our present circumstances and at this very moment is searching for its compelling voice. Perhaps this book is an opportunity to catch a glimpse before it’s gone of a more local sensibility that is unimpressed by glamour and worldliness, more focused on the ideals of communal harmony and love of country, particularly its rural pastoralist culture, what Gandhiji called “India’s heart and soul.”
As we reflect on these unique qualities (rasa), it is important as well to consider the present, the point from which we encounter the future, and from which we must find our voice. OTHER IMAGININGS is intended to create community (you included) and assert absolute equivalence among all participants so that no labor, no effort, no artist known or unknown is prized above any other. This artwork is an attempt to weave together stories rooted in community in order to create a primal resource for understanding and collaboration.
"With Word for Word, Laurie Lisle enters the pantheon of great memoirists . . . Bolstered by exquisite, evocative observations of the physical world that inform her prose, past and present, she threads a fine line between revelation and reticence, generously exposing her most intimate feelings about the conflicts and sacrifices inherent in the need for both love and freedom, as a woman and a writer. If ever there is a book that will trigger a desire to pen one's own memoir, this is it." --Marnie Mueller, author of My Mother's Island
"Word for Word is a perfect title for a memoir about the hard-earned creation of a writer's life that is wrested out of the honest self-examination of a woman who faces the personal, family, class, and social forces that shaped—but did not determine—the person and writer she would become. A richly rewarding read."--Lois Rudnick, author of Mabel Dodge Luhan: New Woman, New Worlds
"Word for Word is a beautifully told story about the growth of a woman writer of the second-wave generation, whose intellectual and spiritual debts are to women writers, feminism, and, more generally, strong women." -- Carol Ascher, author of Afterimages: A Family Memoir
Hilda Belcher (American, 1881–1963). The Checkered Dress (Portrait of O’Keeffe), 1907, watercolor and gouache. Frances Lehman Loeb Art Center, Vassar College. Bequest of Mary S. Bedell, class of 1873, 1932.1.5
"Portrait of an Artist is a sensitive and beautifully documented biography. It moved me deeply--I can't remember when a book involved me so totally."
Patricia Bosworth, author, Diane Arbus: A Biography
"What a personality emerges from these pages!...Portrait of an Artist is filled with riches."
Joyce Carol Oates, Mademoiselle
"Through interviews with O'Keeffe's friends and acquaintances, by delving into the published an unpublished sources and letters...she gives a fine and poignant accounting of the relationship between O'Keeffe and Stieglitz...Above and beyond the personal portrait, Lisle's biography is a marvelous evocation of the American places that have been important in the development of O'Keeffe's character and her art."
James R. Mellow, The Saturday Review