Showing posts with label Historiography. Show all posts
Showing posts with label Historiography. Show all posts

Wendy N. E. Ikemoto

John Frederick Kensett (1816–1872), View from Cozzens’ Hotel, near West Point, N.Y., 1863 [detail]
Oil on canvas
November 27, 2019.

Wendy Ikemoto, Associate Curator of American Art at the New-York Historical Society Museum & Library, discusses her exhibition: Panoramas: The Big Picture, on view at the Society through December 8, 2019.

Panoramas: The Big Picture explores the history and continued impact of panoramas from the 17th to the 21st century, as they were used to create spatial illusions, map places, and tell stories. Highlights include John Trumbull’s sweeping double vistas of Niagara Falls (1808), sections of Richard Haas’ nearly 200-foot long trompe l’oeil panorama of Manhattan (1982), and Eadweard Muybridge’s 17-foot photographic panorama of San Francisco before the city’s devastating 1906 earthquake (1878). The exhibition examines and reveals the impact that these and other panoramas had on everything from mass entertainment to nationalism to imperial expansion.



Ronald Patkus, Nikolai Firtich, Dan Ungurianu

April 10, 2019.

Historian and Associate Director of the Library for Special Collections Ronald D. Patkus joins Professors Nikolai Firtich and Dan Ungurianu of the Vassar Department of Russian to discuss the great Russian writer Ivan Turgenev (1818-1883) and the exhibit on view 23 January through June 10, 2019 in the Thompson Memorial Library entitled Ivan Turgenev and His Library, celebrating the bicentennial of Turgenev's birth.

Download the exhibition catalogue (PDF)


Wendy N. E. Ikemoto























April 11, 2018.

Wendy N. E. Ikemoto, Associate Curator of American Art at the New York Historical Society and former Vassar professor, talks about her new book Antebellum American Pendant Paintings: New Ways of Looking (Routledge, 2017).

Antebellum American Pendant Paintings: New Ways of Looking marks the first sustained study of pendant paintings: discrete images designed as a pair. It opens with a broad overview that anchors the form in the medieval diptych, religious history, and aesthetic theory and explores its cultural and historical resonance in the 19th-century United States. Three case studies examine how antebellum American artists used the pendant format in ways revelatory of their historical moment and the aesthetic and cultural developments in which they partook. The case studies on John Quidor’s Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder (1839) and The Return of Rip Van Winkle (1849) and Thomas Cole’s Departure and Return (1837) shed new light on canonical antebellum American artists and their practices. The chapter on Titian Ramsay Peale’s Kilauea by Day and Kilauea by Night (1842) presents new material that pushes the geographical boundaries of American art studies toward the Pacific Rim. The book contributes to American art history the study of a characteristic but as yet overlooked format and models for the discipline a new and productive framework of analysis focused on the fundamental yet complex way images work back and forth with one another.

 

Molly Nesbit

Rachel Whiteread. Water Tower,  Lower Manhattan.  Public Art Fund, 1998.
February 21, 2018.

Molly Nesbit, Professor of Art at Vassar College, talks about her new book, Midnight: The Tempest Essays, just published in 2017 by Inventory Books.

“'What Was An Author?' Right from the opening words of these Tempest Essays, we see the great Molly Nesbit at work undoing and radically repositioning the time codes for the artist. She creates a living archive of critical debates, politics and philosophies. She paints a vivid picture of the many junctions between people, objects, quasi-objects and non-objects throughout the twentieth century and into the twenty-first. This is a true protest against forgetting as well as a toolbox for contemporary art criticism. Call it a guidebook to the labyrinth of reality.” —Hans Ulrich Obrist

Gloria Kury

November 9, 2016.

Art historian, editor, and publisher Gloria Kury (VC '65) talks about art history, literature, education, and the fabrication of the Renaissance in the 19th century and her book When Giorgione Died: A Rebuildungsroman in Two Volumes (Periscope, 2016).

"A memory book with a fierce verve for piercing the false enchantments of memory, its dangerous nostalgias, its zombies and composite monsters, its necrophilia and kitsch. Exuberantly in love with art, Gloria Kury works to disentangle the blind-paths of connoisseurship and historical scholarship, what so often gets forgotten there - and what hides in plain sight. A brilliant story teller herself, she trusts other storytellers - Shakespeare, Henry James, Edith Wharton, William Gaddis, Cindy Sherman among others - to lay bear the strangeness of things, even as she invites the wild-eyed prophets, the crystal gazers, the code breakers, the hypnotists, the psychics, the psychologists, the parapsychologists, the time travelers, the explorers of the fourth dimension to say their part. Seeded within this complex slide show is a sharp, cohesive, often comic and sometimes chilling meditation on how any life is lived and remembered, how smoke gets in your eyes." --  Kenneth Gross, author of The Dream of the Moving Statue and Puppet: An Essay on Uncanny Life

59:30 minutes.

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Mita Choudhury

March 30, 2016.

Mita Choudhury, Professor of History at Vassar College, discusses her book The Wanton Jesuit and the Wayward Saint: A Tale of Sex, Religion and Politics in Eighteenth-Century France, published by Pennsylvania University Press in 2015.

“Students of eighteenth-century France have long been aware of the importance of the Cadière affair. Fortunately, the case has now found its historian. Mita Choudhury, a leading expert on the politics of theological conflict in Old Regime France, has given us a rich account of the scandalous provincial encounter in the early 1730s that resounded all the way to the halls of Versailles and the Sorbonne.”

Alix Christie

February 18, 2015.  

Writer, journalist, and printer Alix Christie, (VC'80) talks about her historical novel, Gutenberg's Apprentice (Harper Collins, 2014).


"If ever there were a historical novel with up-to-the-minute resonance, this is it. As we go through another information revolution, Christie’s novel takes us back in brilliantly-observed detail to the first – the invention of the printing press. Her characters are engaging, the world as beautifully crafted as one of Gutenberg’s hot-metal letters, and the themes more relevant now than ever."


51:42 minutes

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Peipei Qiu

February 11, 2015. 

Peipei Qiu, Professor of Chinese and Japanese on the Louise Boyd Dale and Alfred Lichtenstein Chair and Director of Asian Studies at Vassar, talks about her book Chinese Comfort Women: Testimonies from Imperial Japan's Sex Slaves, published this year by Oxford University Press.

"Chinese Comfort Women: Testimonies from Imperial Japan's Sex Slaves features the personal narratives of twelve women forced into sexual slavery when the Japanese military occupied their hometowns. Beginning with their prewar lives and continuing through their enslavement to their postwar struggles for justice, these interviews reveal that the prolonged suffering of the comfort station survivors was not contained to wartime atrocities but was rather a lifelong condition resulting from various social, political, and cultural factors. In addition, their stories bring to light several previously hidden aspects of the comfort women system: the ransoms the occupation army forced the victims' families to pay, the various types of improvised comfort stations set up by small military units throughout the battle zones and occupied regions, and the sheer scope of the military sexual slavery-much larger than previously assumed. The personal narratives of these survivors combined with the testimonies of witnesses, investigative reports, and local histories also reveal a correlation between the proliferation of the comfort stations and the progression of Japan's military offensive."


39:01 minutes.

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Lydia Murdoch


October 8, 2014.

 Lydia Murdoch (VC'92), Associate Professor of History at Vassar College, talks about her book Daily Life of Victorian Women (Greenwood, 2014).

"Contrary to popular misconception, many Victorian women performed manual labor for wages directly alongside men, had political voice before women's suffrage, and otherwise contributed significantly to society outside of the domestic sphere. Daily Life of Victorian Women documents the varied realities of the lives of Victorian women; provides in-depth comparative analysis of the experiences of women from all classes, especially the working class; and addresses changes in their lives and society over time. The book covers key social, intellectual, and geographical aspects of women's lives, with main chapters on gender and ideals of womanhood, the state, religion, home and family, the body, childhood and youth, paid labor and professional work, urban life, and imperialism."

58:55 minutes

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Elizabeth Eisenstein

May 28, 2014. (SEASON FINALE):

Elizabeth Eisenstein (VC'45), author of the massively influential history on the impact of the introduction of printing on Western society, The Printing Press as an Agent of Change (2 vols., Cambridge 1979), will discuss her book Divine Art, Infernal Machine: The Reception of Printing in the West (U Penn, 2011).

"Eisenstein's research is impressive, reaching far and wide across languages and centuries. Her knowledge of the history of publication engages the wealth of recent scholarship and extends as far back as Roman copyists. . . . Her breadth enables her to identify topoi and their mutations; to observe long-term trends, diminishing ripples, and delayed reactions; and to distinguish what is new or newly dressed in authors' concerns and readers' complaints."— Journal of Scholarly Publishing

45:57 minutes.

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Robert Darnton

April 30, 2014.

Robert Darnton, Carl H. Pforzheimer University Professor and University Librarian at Harvard University talks about his book Poetry and the Police: Communication Networks in Eighteenth-Century Paris (Harvard, 2012).

"In 1749 Parisians feasted on a half-dozen poems that ridiculed Louis XV for being humiliated in foreign affairs by the Treaty of Aix-la-Chapelle as well as in the royal bed by an ignoble mistress. The king ordered a crackdown on unauthorized poetry recitals, and the police rounded up fourteen suspects, mostly students, clerks and priests, and gathered evidence. The investigation is the subject of Robert Darnton's fascinating Poetry and the Police: Communication Networks in Eighteenth-Century Paris. As Darnton retraces the steps of the police, he branches off into explorations of the world of ordinary people under the ancien régime and the formation of public opinion in an oral culture. He also has a polemical aim. 'The marvels of communication technology in the present have produced a false consciousness about the past,' he writes, 'even a sense that communication has no history' before the days of television and the Internet. Darnton deflates that illusion by showing how poems seeped into the public sphere as they passed through oral and print media: first copied on scraps of paper, then dictated by one person to another, then memorized and sung to an audience. For Darnton, poetry was an information network long before networks were news." -- John Palattella The Nation

58:43 minutes.

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Christopher D. Johnson

April 9, 2014.

Christopher D. Johnson, Professor of early modern literature in the Department of Spanish and Portuguese at UCLA, discusses his book, Memory, Metaphor, and Aby Warburg's Atlas of Images, published by Cornell University Press in 2012.

"This is a rich and learned book, and also an extremely humane and attractive one. The final chapter, on Warburg and Bruno, has the status of revelation. It is absolutely fascinating, not only as a dialogue in intellectual history but also as a political allegory. Christopher D. Johnson pays close attention to Warburg's ethical and epistemological aspirations when he focuses on Warburg’s final and uncompleted project: the Atlas of Images. Assembled during the years prior to his death in 1929, these collages strove to mount a history of cultural memory via a dense series of images from antiquity to the present." — Michael P. Steinberg, Brown University

45:24 minutes.

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View select panels from Warburg's Bilderatlas and other materials on the book's companion website.

Maria Höhn

April 2, 2014.

Maria Höhn, Professor of History and International Studies on the Marion Musser Lloyd Chair  at Vassar College, talks about her most recent book, co-authored with Martin Klimke, entitled: A Breath of Freedom: The Civil Rights Struggle, African American GIs, and Germany, published by Palgrave in 2010.

"Depicting the African American GI as the unheralded keystone of the civil rights movement in America during the post-WWII era, this book exhilaratingly exposes the two-facedness of America denazifying Germany while practicing Jim Crow segregation in its own military. With a thorough analysis of the African American press’s role in disclosing this hypocrisy, it reveals the many ways in which subsequent civil rights leaders owe their success to the groundwork laid by African American GIs. Together, they forged the space to launch a civil rights revolution in America." -- Calvin Robinson, President, NAACP

58:23 minutes.

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View the new film based on the book.
View the project website.

Molly Nesbit


February 26, 2014.

Vassar Professor Molly Nesbit (VC'74) talks about her book, featured in last year's New York Art Book Fair at PS1: The Pragmatism in the History of Art, published in 2012 by Periscope Books.

"The Pragmatism in the History of Art traces the questions that modern art history has used to make sense of the changes overtaking both art and life. Author and art historian Molly Nesbit explores these inquiries through an examination of a range of works by figures across art, philosophy, and film, including: Meyer Schapiro, T.J. Clark, Alexander Dorner, Michel Foucault, Gilles Deleuze, Chris Marker, Lawrence Weiner, Gordon Matta-Clark, and more. Pragmatism is the first volume of Pre-Occupations, a series compiling Nesbit's writings."

40:18 minutes.

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Wolfgang Ernst

February 19, 2014.

Wolfgang Ernst, Chair of Media Theories at Humboldt University, Berlin, talks about media archaeology and his book Digital Memory and the Archive, published last year by the University of Minnesota Press.

"Digital Memory and the Archive offers the most compelling and insightful account published to date of how and why objects matter. Moving beyond textual analysis, its careful, theoretically rigorous engagement with the relic—the physicality of the archive—promises to change the direction of the digital humanities. Thanks to this book, we will all now be addressing the microtemporality of archives and the mechanics of remaining. Finally, a definitive collection in English of one of the most brilliant and influential media archaeologists."   -- Wendy Hui Kyong Chun

32:24 minutes.

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Adina Hoffman & Peter Cole


February 6, 2013.

Adina Hoffman and Peter Cole talk about their book Sacred Trash: The Lost and Found World of the Cairo Geniza, published in 2011 by Schocken.

Adina Hoffman is the author of House of Windows: Portraits from a Jerusalem Neighborhood and My Happiness Bears No Relation to Happiness: A Poet’s Life in the Palestinian Century, which was named one of the best twenty books of 2009 by the Barnes & Noble Review and one of the top ten biographies of the year by Booklist.

Peter Cole’s most recent book of poetry is Things on Which I’ve Stumbled—whose title poem revolves around the Cairo Geniza. Cole’s translations from Hebrew and Arabic include War & Love, Love & War: New and Selected Poems by Aharon Shabtai; So What: New & Selected Poems by Taha Muhammad Ali; and The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492, which received the National Jewish Book Award in Poetry and the American Association of Publishers’ 2008 Hawkins Award for the university press book of the year.

61:04 mins.

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Lisa Kaborycha

November 14, 2012.

Lisa Kaborycha, Director of Academic Affairs at the Medici Archive Project and Professor of History at the University of California EAP in Florence, talks about the project and its extraordinary educational and research programs. This December the Medici Archive Project will launch its BIA digital interactive platform on the Web, which will eventually provide digital access to between three and four million letters and other documents in the archives of the Medici Granducal Collection, and promises to revolutionize research in early modern studies across the disciplines.

42:02 min. 

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Marc Michael Epstein

October 10, 2012.

Marc Michael Epstein,  Professor of Religion at Vassar College, talks about his book: The Medieval Haggadah: Art, Narrative, and Religious Imagination, published by Yale University Press and listed by the Times Literary Supplement as one of the best books of 2011.

“A dazzling analysis. . . . The Medieval Haggadah shows with remarkable sophistication and an acute visual sense how those who commissioned, produced the blueprint for, and illuminated four medieval haggadot, or books for use at the Passover ceremony, did much more than illustrate the story of the Exodus, creating, rather, complex statements about the role and place of Jews in the society of the time, as well as producing remarkable works of art."— Gabriel Josipovici, The Times Literary Supplement (Books of the Year)

41:06 min.

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Peter Drummey

April 15, 2008.

Peter Drummey, Stephen T. Riley Librarian of the Massachusetts Historical Society, talks about the Society, the keeping of historical archives and manuscripts in the age of the Internet, and the exhibit: My Dearest Friend, Letters of Abigail and John Adams from the Collections of the MHS, on view through April 30, 2008 in the Archives and Special Collections Library of the Frederick Ferris Thompson Memorial Library at Vassar College.

64 min.

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Nancy Bisaha

March 4, 2008.

Nancy Bisaha, professor of history at Vassar College, talks about her book, Creating East and West: Renaissance Humanists and the Ottoman Turks, which "underscores the importance of this period for the evolution of concepts such as East and West, Europe and Asia, and suggests how these Renaissance views ... may still inform the modern discourse on Islam and the West." - RQ

50:10 min.

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