Showing posts with label Curriculum. Show all posts
Showing posts with label Curriculum. Show all posts

Mary-Kay Lombino

Richard Barnes, Murmur #23, Dec. 6, 2006, 2006
October 23, 2019. 

Mary-Kay Lombino, Curator of Collections at the Frances Lehman Loeb Art Center at Vassar, discusses her exhibition Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center, on view through December 15, 2019.

Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center presents a survey of Vassar’s renowned collection of close to 4,500 photographs. Spanning the history of the medium, the exhibition features numerous innovations in the history of photography including various types of photographic practices from daguerreotypes and gelatin silver prints to large-scale Polaroids and digital color prints as well as a wide range of styles and geographic focuses. This extensive exhibition, the first of its kind at the Art Center, aims to highlight the Art Center’s long interest and dedication to the photographic medium and present the unique character, depth, and diversity of the collection. Shape of Light also celebrates twenty years of commitment from the Advisory Council for Photography for supporting photography acquisitions.



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Joan M. Ferrante and Robert W. Hanning






















February 13, 2019.

Joan M. Ferrante and Robert W. Hanning, distinguished scholars who have long collaborated in translations and scholarship in comparative literature at Columbia University, discuss their new translation of the medieval roman d’antiquitéThe Romance of Thebes (The French of England Translation Series: 11; Arizona Center for Medieval and Renaissance Studies, 2018).

"The romans d’antiquité, medieval re-makings in French of the stories of Troy, Thebes, Greece, and Rome, first appeared in the reign of Henry II and Eleanor of Aquitaine in the twelfth century and continued to be read in England throughout the Middle Ages. Among them, the Romance of Thebes medievalizes the stories of Oedipus and Jocasta; Polynices and Etiocles; Antigone, Creon, and Theseus; and the Siege of Thebes. The medieval French re-working also complicates Trojan-based accounts of European identity by adding African and Muslim allies for Thebes to the narrative’s classical source in Statius’ Thebaid, thus suggesting that Europe is not forged simply in opposition to Islam.

"This new translation and introduction by two distinguished scholars of comparative literature is the first in English for thirty years. It is based on the late fourteenth-century manuscript text owned by ‘battling’ Bishop Henry Despenser, notorious for his harsh suppression of the 1381 rebels in Norwich and for his failed continental crusade. The translation can be read both for itself and to facilitate study of the original poem by scholars and students of the literary culture of England and North West Europe."




British Library record for the Manuscript: London, BL Additional 34114.

Joan M. Ferrante's Epistolae: Medeval Women's Letters (discussed in the interview).

Susan Hassler















April 4, 2018.

Susan Hassler (VC '76), Editor-in-Chief of the  journal of the IEEE (Institute of Electrical and Electronics Engineers), IEEE Spectrum, talks about STEM, publishing, higher education, and trends in technology in this installment of our series on the value of liberal arts education in contemporary society. She has been included in “Folio 40: The Most Influential People in the Magazine Industry” and was inducted into min magazine’s Editorial and Design Hall of Fame in 2011.

IEEE Spectrum is the flagship magazine and website of the IEEE, the world’s largest professional organization devoted to engineering and the applied sciences. Its charter is to keep over 400,000 members informed about major trends and developments in technology, engineering, and science. Under Susan Hassler's editorship, Spectrum has won numerous awards for both its print and online efforts, including three Grand Neal Awards and a National Magazine Award for General Excellence in the Thought Leader category.

Ellen Condliffe Lagemann


January 31, 2018.

Ellen Condiffe Lagemann, Levy Institute Research Professor at Bard College and Distinguished Fellow in the Bard Prison Initiative, discusses her book Liberating Minds: The Case for College in Prison (New Press, 2017) in the next installment of our series on The Role of the Liberal Arts in Contemporary Society.

“An excellent new book that makes a compelling case. Lagemann’s is a reasoned, knowledgeable, and compassionate voice for higher education as a means to achieve the goal of prison as a place for rehabilitation.” —  Vartan Gregorian, president, Carnegie Corporation of New York
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Robert O. McClintock

Morningside Park Stairway with Seligman Fountain, New York City
May 3, 2017.  

We continue our series on the value of the liberal arts in contemporary society with a conversation with Robert O. McClintock, John L. and Sue Ann Weinberg Professor Emeritus in the Historical and Philosophical Foundations of Education at Teacher's College, Columbia University in the City of New York, about his monograph, Formative Justice: To Make of Oneself What One Can and Should Become.


Text of Formative Justice (pdf).

44:28 minutes.

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Danielle Allen

April 5, 2017.

Danielle Allen, James Bryant Conant University Professor and Director of the Edmond J. Safra Center for Ethics at Harvard University and a MacArthur Fellowship recipient, will contribute to our series on the role of liberal arts education in contemporary society by discussing her recent work on language and politics: Education and Equality (Chicago University Press, 2016) and Our Declaration: A Reading of the Declaration of Independence in Defense of Equality (Norton, 2014).

"Featured on the front page of the New York Times, Our Declaration is already regarded as a seminal work that reinterprets the promise of American democracy through our founding text. Combining a personal account of teaching the Declaration with a vivid evocation of the colonial world between 1774 and 1777, Allen, a political philosopher renowned for her work on justice and citizenship reveals our nation's founding text to be an animating force that not only changed the world more than two-hundred years ago, but also still can. Challenging conventional wisdom, she boldly makes the case that the Declaration is a document as much about political equality as about individual liberty. Beautifully illustrated throughout, Our Declaration is an “uncommonly elegant, incisive, and often poetic primer on America's cardinal text”  -- David M. Kennedy.

 Education and Equality mounts a powerful philosophical argument for putting ‘participatory readiness’ for civic and political life at the center of American education. Developing a rich, pragmatic account of the purposes of schooling, Allen shows the poverty of reductionist notions of education as preparation for work and global economic competition alone. To achieve the political equality that is indispensable for democratic governance, a humanist education for all is required. A must read for all concerned about the future of American education and American democracy.”  -- Leo Casey, executive director, Albert Shanker Institute 


40:41 minutes.

Richard E. Wilson

December 21, 2016.

Richard E. Wilson, Mary Conover Mellon Professor of Music, retiring this month after 50 years of teaching at Vassar College, talks aout music, education, his career and his life at Vassar.

"Wilson is a Professor of Music on the Mary Conover Mellon Chair. In addition to his 50 years of teaching at the college, Wilson is the composer of over one hundred works in many genres. His opera, Aethelred the Unready, was staged in 2011 in Symphony Space, New York City. He was a recent recipient of the Roger Sessions Memorial Bogliasco Fellowship as well as an Academy Award in Music from the American Academy of Arts and Letters. He has previously received the Hinrichsen Award, the Stoeger Prize, the Cleveland Arts Prize, the Burge/Eastman Prize, a Frank Huntington Beebe Award, and a Guggenheim Fellowship. He joined the Vassar Faculty in 1966; he has served as Composer-in-Residence with the American Symphony Orchestra since 1992."

50:18 minutes.

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