Showing posts with label Holocaust. Show all posts
Showing posts with label Holocaust. Show all posts

Katherine Hite

April 13, 2022.

Katherine Hite, Professor of Political Science on the Fredrick Ferris Thompson Chair and Director of Research and Development at Vassar College, talks about her recent research on Texas history, published in her articles "Texas, Monuments, and the Politics of Self-Reckoning in Texas," (Memory Studies Special Issue 14:6, 2021) and "A Monumental Battle for the Story of Texas," (Revista: The Harvard Journal of Latin Amerian Studies, 20:23, 2021), as well as about her books on monuments and the politics of memory in Latin America and Spain: The Politics and the Art of Commemoration: Memorials to Struggle in Latin America and Spain (Routledge, 2013) and Memory in Chile from Pinochet to Bachelet (First Forum, 2013). 

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Julia Bolton Holloway


February 2, 2022.

The scholar, librarian, and Catholic Hermit Julia Bolton Holloway, Custodian of the English Cemetery in Florence, talks about her scholarship, her role as keeper of an historic cemetery, about cemeteries and libraries as vital mirrors of memory, and her project to develop a cultural heritage library documenting the Cemetery's many notable residents and their histories. 

"Julia Bolton Holloway was born in London, grew up in Sussex, went to America at 16, studied at San Jose State University for the BA, and at the University of California, Berkeley, for the doctorate. Her Comparative Literature dissertation was published in three editions as The Pilgrim and the Book: A Study of Dante, Langland and Chaucer. She next published books on Brunetto Latino, a bibliography and an edition of Il Tesoretto, later a full length study of his life and writings as Twice Told Tales: Brunetto Latino and Dante Alighieri, and is currently editing Brunetto Latino's Latin and Italian Opera.  She edited and translated Birgitta of Sweden's Revelations, in Saint Bride and her Book. That work led to research on Julian of Norwich, resulting in the definitive edition of the extant manuscripts in France and England with Sister Anna Maria Reynolds, C.P., and published by SISMEL, Anchoress and Cardinal: Julian of Norwich and Adam Easton, O.S.B., published by Analecta Cartusiana, ed. James Hogg, Julian among the Books: Julian of Norwich's Theological Library, Cambridge Scholars Publishing, and Mary's Dowry: Contemplative and Pilgrim Women's Writings, Analecta Cartusiana, ed. James Hogg. She completed her father's work on Elizabeth Barrett Browning and published editions of Aurora Leigh and Other Poems, Penguin, and Casa Guidi Windows (in English and Italian), Aureo Anello Books. She raised three sons, taught at Quincy University, Princeton University, and the University of Colorado at Boulder, where she was Director of Medieval Studies. She took early retirement to enter an Anglican convent, is now a Catholic hermit in Florence, Italy, where she directs an ecumenical polyglot library and is custodian of the Swiss-owned 'English' Cemetery where Elizabeth Barrett Browning, Walter Savage Landor, Frances Trollope and many famous others, particularly slavery Abolitionists, are buried."

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Dora Apel

Vienna: Judenplatz Holocaust Memorial, Rachel Whiteread, 2000

October 13, 2021.

The acclaimed art historian and cultural critic, Dora Apel, W. Hawkins Ferry Professor Emerita of Modern and Contemporary Art History at Wayne State University, talks about her recent monograph, Calling Memory Into Place (Rutgers UP, 2020). Her many books include Imagery of Lynching: Black Men, White Women, and the Mob;  Memory Effects: The Holocaust and the Art of Secondary Witnessing; and Beautiful, Terrible Ruins: Detroit and the Anxiety of Decline.

"In this deeply personal work, acclaimed art historian Dora Apel examines how memorials, photographs, artworks, and autobiographical stories can be used to fuel a process of “unforgetting”—reinterpreting the past by recalling the events, people, perspectives, and feelings that get excluded from conventional histories. The ten essays in Calling Memory into Place feature explorations of the controversy over a painting of Emmett Till in the Whitney Biennial and the debates about a national lynching memorial in Montgomery, Alabama. They also include personal accounts of Apel’s return to the Polish town where her Holocaust survivor parents grew up, as well as the ways she found strength in her inherited trauma while enduring treatment for breast cancer.  
 
"These essays shift between the scholarly, the personal, and the visual as different modes of knowing, and explore the intersections between racism, antisemitism, and sexism, while suggesting how awareness of historical trauma is deeply inscribed on the body. By investigating the relations among place, memory, and identity, this study shines a light on the dynamic nature of memory as it crosses geography and generations."  


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