Susan Hassler

April 4, 2018.

Susan Hassler (VC '76), Editor-in-Chief of the  journal of the IEEE (Institute of Electrical and Electronics Engineers), IEEE Spectrum, talks about STEM, publishing, higher education, and trends in technology in this installment of our series on the value of liberal arts education in contemporary society. She has been included in “Folio 40: The Most Influential People in the Magazine Industry” and was inducted into min magazine’s Editorial and Design Hall of Fame in 2011.

IEEE Spectrum is the flagship magazine and website of the IEEE, the world’s largest professional organization devoted to engineering and the applied sciences. Its charter is to keep over 400,000 members informed about major trends and developments in technology, engineering, and science. Under Susan Hassler's editorship, Spectrum has won numerous awards for both its print and online efforts, including three Grand Neal Awards and a National Magazine Award for General Excellence in the Thought Leader category.

Michael Corris

"Self-Regarding Man" 2017 from The Fourth Book -- Michael Corris

March 7, 2018 (Repeated March 14)

Michael Corris, the artist, critic, art historian, and Professor of Art at the Meadows School of Art at Southern Methodist University in Dallas talks about the Conceptualist art movement and about his book Leaving Skull City: Selected Writings on Art (Press du Réel, 2016).

"Beginning with his work as a participant in the collective Art & Language, Corris's texts include critical surveys of conceptual art, the Artist Placement Group, the early work of Ad Reinhardt, “Young British Art” of the 1990s, and a mordant satire of management in art education. Leaving Skull City is filled with theoretical reflections on the social, philosophical, and political dimensions of contemporary art. Many of these concepts will seem familiar, as they drift in art's contemporary discourse. Yet, these ideas were hardly uncontroversial when first formulated in the context of conversations throughout the New York artworld of the 1970s."


Video of Michael talking about his current exhibition at the Lilian Bloch Gallery in Dallas