Robert Kipniss

Robert Kipniss. Without Within, 1978. Color Lithograph, 24 x 18 inches. 

SEASON OPENER September 15, 2021.

The painter, printmaker, and writer Robert Kipniss talks about his memoir Robert Kipniss: A Working Artist's Life (University Press of New England, 2011).

"A painter's life is a solitary one, alone in the studio, combining intelligence and imagination with technical skills to create a unique vision. Robert Kipniss's elegiac and mysterious landscapes and still lifes convey none of this process of invention. Few great painters are great writers, but Kipniss is an exception. In his sensitive and personal memoir we discover his passionate struggle to achieve his artistic goals, balancing the obligations of his personal life with the great demands of his art."  -- E.John Bullard, Director Emeritus, New Orleans Museum of Art

“Robert Kipniss’s A Working Artist’s Life is the rarest of literary achievements: a personal memoir, cultural history, and textbook of craft and market. I was enlightened, entertained, and frequently moved by this portrait of the artist composed with a touch of the poet.” -- Sidney Offit, author of Memoir of the Bookie’s Son; curator emeritus, George Polk Journalism Awards; and president, Authors Guild Foundation.

"Kipniss’ compulsion to express and communicate what he sees carries him over the decades through economic hardship and added instances of the occasional cruelties of the world to further successes with the New York gallery establishment, through marriage and fatherhood, a stint in the army, and later in life through his further creative development as a consummate printmaker and to his present life with his second wife, the author Laurie Lisle. This is recounted in the book with an informative and clear-eyed recollection, often tinged with irony, in the urbane and genial voice of a human being who has, within the precincts of the city that fostered and challenged him, molded himself into a profoundly eloquent, perceptive, and charismatic individual. As a visual artist and poet whose art might be described as the rendering of perceived reality into worlds reflected on the surface of a tranquil and attentive eye, Kipniss’ mindful recollection of a life in which nothing is held back introduces us in this book to his path to a visionary and intelligent apprehension of the whole of the world that dreams of itself through our senses." -- T. E. Hill, Vassar College.

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Buzz Spector

March 31, 2021.

The artist Buzz Spector talks about his retrospective exhibition at the St. Louis Art Museum on view through May 31, 2021: Buzz Spector: Alterations. Spector is a contemporary Conceptual artist who explores the aesthetic possibilities of language, paper, and books. The exhibition spans the artist’s career from the 1970s to the present and includes drawings, altered books, postcard assemblages, collages, and more. The artist also discusses the catalogue raisonée of his work just published by the Zolla/Lieberman Gallery in Chicago and available through the SLAM bookstore. Spector has recently moved his  home and studio to the Hudson Valley.

"Taking cues from Marcel Duchamp and Marcel Broodthaers—two influential 20th-century artists whose careers shaped the course of contemporary art—Spector draws from art historical precedents and adapts borrowed materials, injecting poetic humor and philosophical musings along the way. . . .

"Spector is internationally recognized for his contributions to the field of contemporary art. He taught painting, sculpture, and two-dimensional design at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis for a decade before retiring in 2019. This is the first presentation of the artist’s work at a St. Louis museum."

The Rowland Atkinson skit we mention.

Art Speaks:  a 53 minute video on Buzz Spector: Alterations by SLAM

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Laurie Lisle

Alfred Stieglitz, Georgia O'Keeffe, 1918.

 October 14, 2020. 

Author Laurie Lisle returns to the program to talk about another of her landmark artist biographies: Portrait of an Artist: A Biography of Georgia O'Keeffe (Seaview 1980).

"Portrait of an Artist is a sensitive and beautifully documented biography. It moved me deeply--I can't remember when a book involved me so totally."
Patricia Bosworth, author, Diane Arbus: A Biography

 

"What a personality emerges from these pages!...Portrait of an Artist is filled with riches."

Joyce Carol Oates, Mademoiselle

"Through interviews with O'Keeffe's friends and acquaintances, by delving into the published an unpublished sources and letters...she gives a fine and poignant accounting of the relationship between O'Keeffe and Stieglitz...Above and beyond the personal portrait, Lisle's biography is a marvelous evocation of the American places that have been important in the development of O'Keeffe's character and her art."
James R. Mellow, The Saturday Review

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Liza Donnelly

Photograph by Elena Rossini

September 30, 2020.

Cartoonist, activist, author, and frequent visiting Vassar professor Liza Donnelly visits to talk about cartooning and the retrospective exhibition of her work, Liza Donnelly: Comic Relief,  on view at the Norman Rockwell Museum in Stockbridge, Massachusetts.  Liza is a New Yorker staff cartoonist, a resident cartoonist for CBS News, and has published in a host of news and cultural outlets, including the New York Times, The Nation, CNN, Cosmopolitan, Cobblestone, Habitat, the Daily Beast, Open Salon, Forbes, and the Huffington Post.   She is also a columnist on politics and global women's rights for the online journal Medium Magazine. Among her 17 published books are Funny Ladies: The New Yorker's Greatest Women Cartoonists and Their Cartoons, and a series of illustrated children's books.

Other links to Donnelly's work:

BBC

Medium "Noteworthy" video

@lizadonnelly

TED Talk 

CBSNews
New Yorker 
lizadonnelly.com

InstagramTV for my daily live drawing at 5pm

HappsTV

Laurie Lisle

Louise Nevelson with her cats, 1975, Pedro E. Guerrero, Vintage Silver Bromide Print

March 25, 2020.

Author and biographer Laurie Lisle discusses her book Louise Nevelson: A Passionate Life (Simon & Schuster 1990; Rev. Ed., Open Road, 2016.)

'From her birth in Russia, her girlhood in Maine, to her years as an artist in Manhattan, Nevelson's life was difficult, dramatic and, after years of struggle, finally triumphant. Her rich iconography expressed in black, white, and gold wooden assemblages is an enormous and extraordinary prize-winning body of work found in parks, plazas, and museums throughout the world. Lisle has conscientiously investigated the numerous bizarre events in Nevelson's long life" -Washington Post Book World 

"Lisle's book is impressive in its thoroughness . . . its eclectic introduction of psychological analysis" -Woman's Art Journal

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Wendy Graham

Simeone Solomon, Sappho and Erinna in a Garden at Mytilene, 1864 Watercolour on paper, Tate Britain

February 19, 2020.

Wendy Graham, Professor of English and Chair of  the Department of English at Vassar College, talks about her latest monograph, Critics, Coteries, and Pre-Raphaelite Celebrity (Columbia University Press, 2017.)

Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. Graham threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them.

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Wendy N. E. Ikemoto

John Frederick Kensett (1816–1872), View from Cozzens’ Hotel, near West Point, N.Y., 1863 [detail]
Oil on canvas

November 27, 2019.

Wendy Ikemoto, Associate Curator of American Art at the New-York Historical Society Museum & Library, discusses her exhibition: Panoramas: The Big Picture, on view at the Society through December 8, 2019.

Panoramas: The Big Picture explores the history and continued impact of panoramas from the 17th to the 21st century, as they were used to create spatial illusions, map places, and tell stories. Highlights include John Trumbull’s sweeping double vistas of Niagara Falls (1808), sections of Richard Haas’ nearly 200-foot long trompe l’oeil panorama of Manhattan (1982), and Eadweard Muybridge’s 17-foot photographic panorama of San Francisco before the city’s devastating 1906 earthquake (1878). The exhibition examines and reveals the impact that these and other panoramas had on everything from mass entertainment to nationalism to imperial expansion.

James Mundy

Edvard Munch, “Moonlight” (1896). Frances Lehman Loeb Art Center, Gift of Philip and Lynn Strauss, Class or 1946, 1995.20

May 8, 2019.

James Mundy (VC '74) Anne Hendricks Bass director of the Frances Lehman Loeb Art Center, will talk about his education and life at Vassar in connection with the exhibition highlighting additions to the Loeb Center collections over his 28 year tenure: An Era of Opportunity: Three Decades of Acquisitions, on view April 26 - September 8, 2019.

This exhibition is a tribute to James Mundy (Vassar class of 1974) upon his retirement as the Anne Hendricks Bass Director of the Frances Lehman Loeb Art Center, a post he has held for twenty-eight years. Organized by the curators of the Art Center, the exhibition spotlights a range of drawings, paintings, photographs, and other works acquired over three decades, and encompasses art from across the geographic scope of the collection. The exhibition emphasizes the dynamic role that opportunity has played in shaping the dramatic growth of the permanent collection of the museum during Mundy’s tenure. The exhibition is supported by the Friends of the Frances Lehman Loeb Art Center Exhibition Fund.

Mary-Kay Lombino

March 6, 2019.

Mary-Kay Lombino, Curator of Collections at the Frances Lehman Loeb Art Center at Vassar College, talks about her exhibition Freehand: Drawings by Inez Nathaniel-Walker, on view February 1 - April 14 at the Center.

Inez Nathaniel-Walker (1907–1990) made her first works of art while she was serving a sentence at a maximum-security prison for killing a man by whom she had been abused. While in prison she began to draw, creating remarkable portraits of her fellow inmates whom she called “bad girls.” Her richly patterned works combine meticulous detail and playful simplicity, forming expressive depictions of her subjects’ personalities and physical attributes. Freehand is Walker’s first one-person museum exhibition. The exhibition is supported by the Friends of the Frances Lehman Loeb Art Center Exhibition Fund and organized with the cooperation of the American Folk Art Museum, New York.

Mardges Bacon

Andrew Tallon (1969-2018), Staircase leading to the Art Library reading room from Taylor Hall, 2015.  Chromogenic color print.

November 21, 2018.

Mardges Bacon, Matthews Distinguished University Professor of Art and Architecture Emerita, Northeastern University, discusses her book John McAndrew's Modernist Vision: From the Vassar College Art Library to the Museum of Modern Art in New York (Princeton Architectural Press, 2018).

"With the recent restoration of his boldly colorful modernist design for Vassar College's art library, John McAndrew has been revealed not only as a curator, historian, and teacher but as an adventurous designer and historical figure in his own right. Mardges Bacon's engaging study allows McAndrew to emerge more fully; he can now be seen as a key voice in dialogue with the changing valences of architectural modernism in the United States in the interwar period."
- Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University

Photographs of Andrew Tallon's series in the book of the Art Library can be found in this blog post for the exhibit Back To the Future: Andrew Tallon's Vision.



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Emily S. Warner

April 18, 2018.

Emily S. Warner, Adjunct Assistant Professor of Art at Vassar College, talks about the exhibition she composed with her students in Art 385,  Surveys and Souvenirs: American World's Fairs 1876-1939, on view in the Vassar College Art Library March 12-June 29, 2018. 

"Sell the cookstove if necessary," novelist Hamlin Garland wrote to his parents in 1893; "You must see the fair." Garland's comment captures the excitement and urgency that drew 27 million visitors to the World's Columbian Exhibition in Chicago, one of several world's fairs that dominated American cultural life around the turn of the century.  From 1876 to 1039, over 15 world's fairs opened in American cities, showcasing the nation's industry and art, and introducing Americans to a world of foreign goods and accomplishments.  Drawn chiefly from materials in the Archives and Special Collections Library at Vassar College, this exhibition presents the rich material culture of American world's fairs, from surveys and guidebooks to photogaphs, children's literature, poster stamps, and souvenirs.  Many of these objects tell official stories from the fairs, promoting messages of American progress, imperial expansion, or scientific advancement.  They also tell more personal stories, as material objects that were used, gifted, inscribed, and collected.  Together, they paint a vivid picture of American world's fairs during a time of intense national growth and consolidation, as the country celebrated its centennial, closed its Western frontier, and arrived at the eve of World War II.

Gargoyle Bulletin post with images from the exhibit.

American World's Fairs 1876-1939 videos on Youtube 

James Mundy

 Irving Ramsey Wiles, American, 1861-1948, Girl Writing, oil on canvas.. Gift of Ruth Scherm, VC class of 1945 

March 2, 2016. 

James Mundy (VC'74), Anne Hendricks Bass Director of the Frances Lehman Loeb Art Center, talks about the Exhibit "American Stories 1800-1950" on view at the Center January 29 - April 17, 2016.

"The founding strength of the art museum at Vassar College in 1864 was its American paintings. That collection has grown greatly over the years with the result that a number of the works by major American painters are seldom seen. This exhibition will explore some of the American riches found in storage and will feature key works of the nineteenth and early twentieth centuries housed in the Art Center's vault. Among the artists featured are John Singleton Copley, Benjamin West, Sanford Gifford, George Inness, William Merritt Chase, Maxfield Parrish, Arthur B. Davies, Robert Henri, Ernest Lawson, Arthur Dove, Georgia O’Keeffe, and Ben Shahn." 

39:23 minutes.

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Karen Lucic

May 6, 2015 (SEASON FINALE).

Karen Lucic, Professor of Art at Vassar College, talks about her exhibition on view in the Frances Lehman Loeb Art Center May 3  - July 28, 2015, entitled "Embodying Compassion in Buddhist Art: Image, Pilgrimage, Practice." 

Embodying Compassion in Buddhist Art: Image, Pilgrimage and Practice is the first transcultural exhibition in America solely devoted to the bodhisattva Avalokiteshvara, who emerged in India two thousand years ago to become a venerated deity throughout Asia. Like all bodhisattvas, this figure selflessly leads others to enlightenment, but Avalokiteshvara’s special role is to exemplify limitless compassion, a fundamental ideal in Mahayana Buddhism. 

59:04 minutes.

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Exhibition website

Nepal Earthquake Relief (Rubin Museum Site)

Mary-Kay Lombino

February 25, 2015.

Mary Kay Lombino, Emily Hargroves Fisher 1957 and Richard B. Fisher Curator of Collections at the Frances Lehman Loeb Art Center at Vassar College, discusses the exhibition on view January 30 - March 29, 2015 entitled: XL: Large-Scale Works from the Permanent Collection.

43:30 minutes.

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Matthew Israel

May 21, 2014.

Matthew Israel (VC'00), Director of the Art Genome Project, talks about the Project, Artsy, and taxonomies of the history of art.

"The Art Genome Project's search technology is the product of an ongoing art-historical study—undertaken by a team of contributors with art-historical backgrounds—seeking to define the characteristics which distinguish and connect works of art, architecture, ancient artifacts and design."

30:30 minutes.

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