Showing posts with label Visualization. Show all posts
Showing posts with label Visualization. Show all posts

Wendy N. E. Ikemoto

John Frederick Kensett (1816–1872), View from Cozzens’ Hotel, near West Point, N.Y., 1863 [detail]
Oil on canvas
November 27, 2019.

Wendy Ikemoto, Associate Curator of American Art at the New-York Historical Society Museum & Library, discusses her exhibition: Panoramas: The Big Picture, on view at the Society through December 8, 2019.

Panoramas: The Big Picture explores the history and continued impact of panoramas from the 17th to the 21st century, as they were used to create spatial illusions, map places, and tell stories. Highlights include John Trumbull’s sweeping double vistas of Niagara Falls (1808), sections of Richard Haas’ nearly 200-foot long trompe l’oeil panorama of Manhattan (1982), and Eadweard Muybridge’s 17-foot photographic panorama of San Francisco before the city’s devastating 1906 earthquake (1878). The exhibition examines and reveals the impact that these and other panoramas had on everything from mass entertainment to nationalism to imperial expansion.



Molly Nesbit

Rachel Whiteread. Water Tower,  Lower Manhattan.  Public Art Fund, 1998.
February 21, 2018.

Molly Nesbit, Professor of Art at Vassar College, talks about her new book, Midnight: The Tempest Essays, just published in 2017 by Inventory Books.

“'What Was An Author?' Right from the opening words of these Tempest Essays, we see the great Molly Nesbit at work undoing and radically repositioning the time codes for the artist. She creates a living archive of critical debates, politics and philosophies. She paints a vivid picture of the many junctions between people, objects, quasi-objects and non-objects throughout the twentieth century and into the twenty-first. This is a true protest against forgetting as well as a toolbox for contemporary art criticism. Call it a guidebook to the labyrinth of reality.” —Hans Ulrich Obrist

Mary-Kay Lombino

May 4, 2016.

Mary-Kay Lombino, Emily Hargroves Fisher 1957 and Richard B. Fisher Curator of Collections at the Frances Lehman Loeb Art Center, discusses the exhibition on view April 29 - August 21, 2016: "Touch the Sky: Art and Astronomy."

Astronomy can be traced back to antiquity with its origins in religious and mythological beliefs; its study has been closely linked to artistic endeavors since the Renaissance. Touch the Sky is a multi-media exhibition of images of the moon, sun, planets, and stars made by artists since the nineteenth century. Artistic observation of the skies was advanced by the dawn of photography in 1839, when Louis-Jacques-Mandé Daguerre attempted to capture an image of the moon, and in 1865 when Lewis Rutherfurd, inventor of the first telescope designed for astrophotography, made top-quality spectroscopic images of the moon. Since then, artists’ enthusiasm for recording and interpreting the grandeur and mystery of the cosmos has not waned. The exhibition includes work by nineteen artists, including Vija Celmins, Chris McCaw, Sharon Harper, David Malin, Mungo Thomson, Lisa Oppenheim, and Nancy Graves.

44:12 minutes.

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Seaver Leslie



October 28, 2015.

Artist Seaver Leslie discusses his work and the exhibition of magnificent glass sculptures on view in Thompson Library at Vassar College through November 22 entitled the Ulysses Cylinders by Dale Chihuly and Sever Leslie, with Flora C. Mace and Joey Kirkpatrick.

"Gorgeous, enigmatic, and provocative, Dale Chihuly's Ulysses Cylinders stand as some of the artists's most intellectually compelling and unique works.  Begun in 1975 and completed nearly forty years later in 2014, the Ulysses Cylinders--adapting drawings by Seaver Leslie to Glass--follow the course of James Joyce's Ulysses, in equal parts representation of the senses in the novel and insightful interpretation of Joyce's work and its place in the history of Irish culture and literary allusion."

43:52 minutes.



Tobias Armborst

September 30, 2015.

Tobias Armborst, Associate Professor of Art and Urban Studies at Vassar College and principal of the award-winning architecture and urban planning firm Interboro Partners, talks about design thinking and the liberal arts, urban planning, and Interboro's project to reform areas of the Long Island shoreline to protect communities from rising sea levels and future hurricanes.

40:59 minutes.

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Mary-Kay Lombino

April 22, 2015.

Mary Kay Lombino, Emily Hargroves Fisher 1957 and Richard B. Fisher Curator of Collections at the Frances Lehman Loeb Art Center at Vassar College, discusses the exhibition on view April 10 - June 14, 2015 entitled Through the Looking Glass: Daguerreotype Masterworks from the Dawn of Photography.

40:16 minutes.

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Johanna Drucker

October 29, 2014.

Scholar, artist, printer, and visual theorist Johanna Drucker, Breslauer Professor of Bibliographical Studies at the Graduate School of Education and Information Studies at the University of California, Los Angeles, discusses her book Graphesis: Visual Forms of Knowledge Production (Harvard 2014).

"Information graphics bear tell-tale signs of the disciplines in which they originated: statistics, business, and the empirical sciences. Drucker makes the case for studying visuality from a humanistic perspective, exploring how graphic languages can serve fields where qualitative judgments take priority over quantitative statements of fact. Graphesis offers a new epistemology of the ways we process information, embracing the full potential of visual forms and formats of knowledge production."


48:20  minutes

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