Showing posts with label Collectivism. Show all posts
Showing posts with label Collectivism. Show all posts

Aaron Sinift, Kahkashan Khan, Jitendra Kumar

 

December 8, 2021.

The Artist Aaron Sinift and project co-curators Kahkashan Khan and Jitendra Kumar discuss the artist book featured in the exhibition "OTHER IMAGININGS: Artist Collaborations with Gandhi Ashrams" on view in the Vassar College Art Library through March 4, 2022.

As western modes of advertising and television began to be adopted in India on a mass level in the early ’90s, there was a shift towards a generic global style in popular culture. The uniquely S. Asian styles of portrayal which flourished in the pre-digital era began to disappear as the imagination began to be more aggressively colonized. As vestiges of Gandhi ashram visual culture become rarer in public it is evident that we are nearing the end of a particular visual era that helped define a unique sense of Gandhian social purpose and national identity as popularly understood after Indian Independence.
 
The images in this book are traces of a world that exists even today and continues to provide a baseline means of self-sufficiency for tens of millions of people. Yet how we express ourselves is being transformed by our present circumstances and at this very moment is searching for its compelling voice. Perhaps this book is an opportunity to catch a glimpse before it’s gone of a more local sensibility that is unimpressed by glamour and worldliness, more focused on the ideals of communal harmony and love of country, particularly its rural pastoralist culture, what Gandhiji called “India’s heart and soul.”
 
As we reflect on these unique qualities (rasa), it is important as well to consider the present, the point from which we encounter the future, and from which we must find our voice. OTHER IMAGININGS is intended to create community (you included) and assert absolute equivalence among all participants so that no labor, no effort, no artist known or unknown is prized above any other. This artwork is an attempt to weave together stories rooted in community in order to create a primal resource for understanding and collaboration.

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Dora Apel

Vienna: Judenplatz Holocaust Memorial, Rachel Whiteread, 2000

October 13, 2021.

The acclaimed art historian and cultural critic, Dora Apel, W. Hawkins Ferry Professor Emerita of Modern and Contemporary Art History at Wayne State University, talks about her recent monograph, Calling Memory Into Place (Rutgers UP, 2020). Her many books include Imagery of Lynching: Black Men, White Women, and the Mob;  Memory Effects: The Holocaust and the Art of Secondary Witnessing; and Beautiful, Terrible Ruins: Detroit and the Anxiety of Decline.

"In this deeply personal work, acclaimed art historian Dora Apel examines how memorials, photographs, artworks, and autobiographical stories can be used to fuel a process of “unforgetting”—reinterpreting the past by recalling the events, people, perspectives, and feelings that get excluded from conventional histories. The ten essays in Calling Memory into Place feature explorations of the controversy over a painting of Emmett Till in the Whitney Biennial and the debates about a national lynching memorial in Montgomery, Alabama. They also include personal accounts of Apel’s return to the Polish town where her Holocaust survivor parents grew up, as well as the ways she found strength in her inherited trauma while enduring treatment for breast cancer.  
 
"These essays shift between the scholarly, the personal, and the visual as different modes of knowing, and explore the intersections between racism, antisemitism, and sexism, while suggesting how awareness of historical trauma is deeply inscribed on the body. By investigating the relations among place, memory, and identity, this study shines a light on the dynamic nature of memory as it crosses geography and generations."  


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Nicholas Adams

Beinecke Rare Books Library, Yale University
February 5, 2020.

Nicholas Adams discusses his biography of the 20th century architect whose work defined the built environment of corporate modernism: Gordon Bunshaft and SOM: Building Corporate Modernism (Yale University Press 2019).

Gordon Bunshaft’s (1909–1990) landmark 1952 design for Lever House reshaped the Manhattan skyline and elevated the reputation of Skidmore, Owings & Merrill (SOM), the firm where he would spend more than 40 years as a partner. Although this enigmatic architect left behind few records, his legacy endures in the corporate headquarters, museums, and libraries that were built in his distinctive modernist style. Bunshaft’s career was marked by shifts in material. Glass and steel structures of the 1950s, such as New York’s Chase Manhattan Bank, gave way to revolutionary designs in concrete, such as the Beinecke Rare Book and Manuscript Library at Yale University and the doughnut-shaped Hirshhorn Museum in Washington, DC. Bunshaft’s collaborations with artists, including Isamu Noguchi, Jean Dubuffet, and Henry Moore, were of paramount importance throughout his career.

Nicholas Adams explores the contested line between Bunshaft’s ambition for acclaim as a singular artistic genius and the collaborative structure of SOM’s architectural partnership. Bunshaft received the Pritzker Architecture Prize in 1988 and remains the only SOM partner to have achieved this distinction. Adams counters Bunshaft’s maxim that “the building speaks for itself” with necessary critical context about this modernist moment at a time when the future of Bunshaft’s iconic works is very much in question.



Tobias Armborst

February 28, 2018. 

Tobias Armborst, Professor of Art and Urban Studies at Vassar College and Principal Architect of the award winning design and planning firm Interboro Partners, discusses his book The Arsenal of Exclusion and Inclusion (Actar 2017).

"The Arsenal comes at a critical time when interest in the urban realm has moved beyond the innocence of tactical urbanism, with its ubiquitous vocabulary of parklets and bike lanes, and now includes protest movements to fight the perceived agents of gentrification.... The text ultimately embraces history over how-to. The Arsenal, then, could be thought of as an urbanist’s I Ching, but rather than divining the future, each entry tells us about where we have been and where we are right now." --Metropolis Magazine

Dan Cohen


May 7, 2014.

Dan Cohen, Executive Director of the Digital Public Library of America, discusses the DPLA, its organization, programs, and aspirations on the occasion of its first anniversary


"[T]he DPLA will go beyond its basic mission of making the cultural heritage of America available to all Americans. It will provide opportunities for them to interact with the material and to develop materials of their own. It will empower librarians and reinforce public libraries everywhere . . . ."  -- Robert Darnton, NYRB May 22, 2014

39:39 minutes.

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Kathleen Hart

May 20, 2008.

Kathleen Hart, professor of French and Chair of the Department of French and Francophone Studies at Vassar College, talks about Flora Tristan, George Sand, Louise Michel, and her book: Revolution and Women's Autobiography in Nineteenth-century France, published by Rodopi.

51:09 min.

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David Weinberger

April 1, 2008.

David Weinberger, philosopher, author, commentator, and Fellow at Harvard University's Berkman Center for the Internet & Society discusses his latest book: Everything is Miscellaneous: the Power of the New Digital Disorder, published by Times Books.

49:44 min.

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Nicholas Adams

SEASON OPENER:
September 18, 2007

Nicholas Adams, architectural historian and Professor of Art at Vassar College, discusses his landmark survey and history of the Twentieth Century's most prolific architectural collaborative: Skidmore, Owings and Merrill: SOM Since 1936.

57:33 min.

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